Concentrate Media: On the Cutting Edge of 3D

Concentrate Media: On the Cutting Edge of 3D

Patrick Dunn, Concetrate Media:

“Because there are different paths one can take, it helps to go to one location where there are multiple individuals who are well-versed in those different paths,” … “It really helps people to find their direction.”

The accessibility of U-M’s facility makes it a particularly rare gem. The lab provides unique ease of access to technology that’s on the rise but still fairly exotic to the general public, like the 3D printers. And in the case of the MIDEN, it’s one of only a couple of publicly accessible similar facilities nationwide.

“Generally these technologies are locked behind doors because they’re very expensive, they require expertise, and they can be very delicate,” … “Here, people say, ‘We want to use the MIDEN,’ and we say ‘Okay, we’ll help you do what you want to do.'”

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Remote Dance Performances

Remote Dance Performances

Shortly after the acquisition of the University of Michigan’s first motion capture system faculty and students began exploring its use for the performing arts. One such project involved two dancers who coordinated their performances remotely. With one dancer performing in the MIDEN and the other in the Video Studio they effectively created a complete performance. The MIDEN performer wore our motion capture suit and had their point cloud (visualization of just her joints) streamed to the Video Studio where the other dancer was performing.

Another project related to remote performances involved a faculty member from the school of music who specialized in jazz compositions. He conducted a collection of performers remotely using methods similar to the dancers above. One unique challenge was the expressiveness and articulation of the composers hands and face. To solve this we placed additional markers on his face and hands so the remote musicians could identify his facial expressions and hand poses.