The Kelsey Museum – Visualizing Lost Cylinder Seals
The Kelsey Museum houses a collection of more than 100,000 ancient and medieval objects from the civilizations of the Mediterranean and the Near East. Margaret Root, curator of the Greek and Near Eastern Collections at the Kelsey Museum, came to the Duderstadt Center with the impressions of several ancient cylinder seals. A cylinder seal is a small cylindrical tool, about one inch long, used in ancient times to engrave symbols or marks. When rolled in wet clay, the seal would leave an impression equivalent to a person’s “signature.” These signatures were commonly used to sign for goods when trading. Some of the earliest cylinder seals were found in the Mesopotamian region.The Kelsey Museum wanted to re-create these seals from the impressions to generate 3D prototypes or for use in a digital exhibit. These exhibits would allow visitors to the Kelsey to experience the cylinder seal tradition first-hand by providing seals and clay to roll their own impressions. The problem was these seals tend to get lost over time so the museum did not have the original seals, only the imprints.
To recover the seal’s three-dimensional form, Margaret Root provided the Duderstadt Center with an outline of the imprints in Adobe Illustrator. From the outline, Stephanie O’Malley of the Duderstadt Center added varying amounts of grey to generate a depth map, where the darkest areas were the most inset and the lightest areas were the most protruding. With a depth map in place she was then able to inset areas on a cylindrical mesh in Zbrush (a 3d sculpting software) to re-create what the cylinder seal (the example seal is the “queen’s seal” ) would have looked like. Shawn O’Grady has printed one of these seals already.
To recover the seal’s three-dimensional form, Margaret Root provided the Duderstadt Center with an outline of the imprints in Adobe Illustrator. From the outline, Stephanie O’Malley of the Duderstadt Center added varying amounts of grey to generate a depth map, where the darkest areas were the most inset and the lightest areas were the most protruding. With a depth map in place she was then able to inset areas on a cylindrical mesh in Zbrush (a 3d sculpting software) to re-create what the cylinder seal (the example seal is the “queen’s seal” ) would have looked like. Shawn O’Grady has printed one of these seals already.
The Duderstadt Center has since obtained the new Projet 3D printer, and plans are now underway to eventually print one of these on the Projet since it has a much higher print resolution and these seals are typically quite small.
To check out more at the Kelsey Museum, click here.